In vain have I struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.
Love
Love quotes from classic novels
The famous love lines from classic novels, as the authors actually wrote them. Mr Darcy's proposal, Captain Wentworth's letter, Cathy on Heathcliff, Jane Eyre's four-word last chapter opening and Gabriel Oak by the fire. Quote sites often trim or reword these; here each one is copied from the Project Gutenberg text of the novel, with the chapter, so you can check it. All of the books are in the public domain.
I have for the first time found what I can truly love—I have found you. You are my sympathy—my better self—my good angel.
If I loved you less, I might be able to talk about it more. But you know what I am.
Whatever our souls are made of, his and mine are the same; and Linton’s is as different as a moonbeam from lightning, or frost from fire.
You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone for ever. I offer myself to you again with a heart even more your own than when you almost broke it, eight years and a half ago.
I am the happiest creature in the world. Perhaps other people have said so before, but no one with such justice.
And at home by the fire, whenever you look up, there I shall be—and whenever I look up there will be you.
The supreme happiness of life consists in the conviction that one is loved; loved for one’s own sake—let us say rather, loved in spite of one’s self
Victor HugoLes Misérables, 1862 · Chapter IV
Translated by Isabel F. Hapgood (1887)
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Translated by Isabel F. Hapgood (1887)
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Each time you happen to me all over again.
Reader, I married him.
All the privilege I claim for my own sex (it is not a very enviable one; you need not covet it), is that of loving longest, when existence or when hope is gone.
“There is no charm equal to tenderness of heart,” said she afterwards to herself. “There is nothing to be compared to it.”
Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps . . . perhaps . . . love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.
Theirs was that substantial affection which arises (if any arises at all) when the two who are thrown together begin first by knowing the rougher sides of each other’s character, and not the best till further on, the romance growing up in the interstices of a mass of hard prosaic reality. This good-fellowship—camaraderie—usually occurring through similarity of pursuits, is unfortunately seldom superadded to love between the sexes, because men and women associate, not in their labours, but in their pleasures merely. Where, however, happy circumstance permits its development, the compounded feeling proves itself to be the only love which is strong as death—that love which many waters cannot quench, nor the floods drown, beside which the passion usually called by the name is evanescent as steam.
Love is the only ecstasy. All the rest weeps. To love, or to have loved,—this suffices. Demand nothing more. There is no other pearl to be found in the shadowy folds of life.
Victor HugoLes Misérables, 1862 · Chapter II
Translated by Isabel F. Hapgood (1887)
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Translated by Isabel F. Hapgood (1887)
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